Suzanne Fischer is updating regularly on the state Haiti's cultural heritage in the aftermath of the earthquake. There are opportunities here for volunteer professionals from the public history world.
In last month's NCPH newsletter, Briann Greenfield of Central Connecticut State University lobbied for undergraduate public history courses to include advocacy training. Among other guidelines, he pointed to the need for a deeper understanding of the funding structure of history programming as well as for training in the ability to communicate with funding bodies effectively. No doubt that creating a rising generation of savvy public historians is critical, especially in These Financial Times. A different perspective from the arts world - see here for a brief article from ArtsJournal on a recent report by the FineArtsFund of Cincinnati. Lack of funding for arts programming isn't due to the current economic environment or lack of effective advocates, according to findings, but to a misunderstanding of the attitudes of consuming audiences.
And, for a journalist's take on battlefield preservation, see here for a recent article by Ta-Nehisi Coates of The Atlantic on his foray among the Civil War battlefields of Virginia. Coates has blogged at greater length on the legacy of the war and on black confederates.